Wednesday, April 15, 2009

Sepiachord review

I'm beginning to think that Lawrence KS' Christian Williams is possessed. Everytime I turn around there's another intriguing collection of his work in my mailbox, and I couldn't be happier about it.

"To the Trees" is his fourth full length (not counting "The Long Winter" a collection of B-sides & alt-takes) and lives up to the hight standards set by his previous outings.

When the instrumentation features banjo and washtub bass you have a pretty good idea where Mr Williams is coming from. Unlike many other practitioners of the form it's hard to call his brand of country/folk/americana "dark".

True there are tales of sadness, death and deception, but, like the late, lamented Johnny Cash, Christian Williams does not want us to wallow or revel in the dark side of life. He wants us to listen and learn form the cautionary tales he tells, he wants us to succeed in our attempts at redemption. He is a moral troubadour baring his soul on the vastness of the American prairie.

If this album is dark it's the rich brown of fertile, fecund soil. Williams plants seeds that sprout into brief glimpses of complete tales. "The Recluse Anne Brown" lets us look in on the life of a woman too timid to leave her window and step out into the world she'd rather just watch. We don't need to know everything about Ms. Brown to understand her story and Christian Williams has the skill to tell us just enough to tantalize our imaginations. On the driving "30 Minutes" we are pulled into the narrator's plunging run from demons to the embrace of heaven.

What makes this all work is that there's no irony here. The stories may be edifying and amusing but Mr Williams really wants us to find the good path. On the title track you can hear how he really does want to go out and listen to the birds singing while perched on his arms.

His sincerity is what makes the material work, because it is simple and honest, never forced. It's his way, just like everything else on this album. Christian wrote all the lyrics and music, plays every instrument (aside from the Kristi Henderson's lovely flute playing on "Troubadour"), recorded and mixed the album in his "closet studio" and released the damned thing himself. "To the Trees" is the sound of an artist unfiltered by outside pressures, and is all the stronger for it.

Word has it that Mr. Williams has now signed with Devil's Ruin Records, cheers to him and cheers to the label on such a wise choice.

I do have one teeny-tiny, itsy-bitsy complaint about this CD: my lyric sheet is too big to fit nicely in the sleeve.

-Jordn Block
Sepiachord

Song, by Toad review

"I didn’t hear much of a peep out of you lot when I last reviewed Christian Williams’ stuff, but I really think you should be paying it more attention than that. It’s not just another dark country album in my increasingly large collection, this really is rather special.

Williams himself describes this as gothic prairie music, and that conjures the perfect impression of what you will hear. I don’t know about real prairies, being an ignorant Englander, nor their music, but I know what they look like, having spent a little time in central Canada as a child. The image of bleak emptiness they call to mind is perfectly encapsulated by the warm, resigned heartbreak of this music.

There’s a lot of folk in it, as well as what I would rather vaguely call Americana. It sounds incredibly old-fashioned, old enough that songs like the superb To The Trees even manage to remind me of something vaguely Celtic, and presumably a lot of the really old folk music from those parts came from the original Scottish, Irish and Dutch settlers.

For such an archetypal album, there is rich variety in this as well. The pace ebbs and flows beautifully, and the whole thing is beautiful to listen to in one go, something you can say for far too few releases these days. I recommended his previous album, but I really recommend this. Lovely."

-Matthew
Song, By Toad

Americana-UK review

Christian Williams writes dark country/folk music and on this his fourth record Christian manages to sound different and evocative.

The first thing you notice on this record is Christian’s voice on the opening song ‘Judas’ where we hear Christian explain that ‘You’ll find me at the right hand of Satan, standing on the left hand of God.’ Next up is the instrumental ‘Bison Jump’ where Christian handles 5-string banjo, percussion and washtub bass. In fact Christian plays most of the instruments apart from the odd flute sections.

Recorded, mixed and produced by Christian Williams in his closet studio in Lawrence. Christian sounds like a cross between James McMurtry, Tom Russell and the late Chris Gaffney. On ‘Troubadour’ Wiliams views his current place in the music industry.. ’Most folks don’t know who I am in accordance with my plans but I aim to remembered when I’m gone. But it’s all out my hands – I guess I’m leaving it all to chance that when I die my words keep living on’.

Evocative lyrics, unusual arrangements and great vocals make this record very listenable and one that you will return to.

7 out of 10
- Andy Riggs
Americana-UK